Patchworks, zigzags, florals and stripes collided together in the collection — after all, nothing clashes in the free-spirited world of Missoni knits — and, as the politically minded designer paid homage to the day’s Global Climate Strike, models processed while holding solar-powered lamps by the artist Olafur Eliasson for the finale. There were easygoing, ombré suits and relaxed robe coats for men (and no shortage of tinsel); for women, sparkling jumpsuits and long coats were styled with layers of knit accessories — wide belts, floor-grazing dickeys, glittery pierrot collars, gauze-thin arm warmers and rolled-edge caps. The Best of Milan Fashion Week, in Pictures. The boldest accessories from the fall/winter 2019 Milan Fashion Week runways. The fall 2019 shows have wrapped up in Milan. The collection was a fusion of extremely feminine touches (delicate laces, sparkly sequin pumps, oversized flower prints and life-size, drooping appliqués of bouquets) with the tropes of tough masculinity (outsized military jackets, metal-encrusted combat boots, thick-soled creepers and a menacing, high-attitude walk). Saturday, Feb. 23. Click through to see all the jewelry that will leave everyone wanting more this autumn. There was, of course, plenty of what Ferragamo does best: luxury leather in all possible forms, from suede trousers to a supple poncho cape. [Sign up here for the T List newsletter, a weekly roundup of what T Magazine editors are noticing and coveting now.]. The familiar melody of “The Price Is Right” rang out and models were dressed in the sparkling grandeur of late ’70s excess, waving their arms enticingly around washing machines, a La-Z-Boy recliner, a flashy red Ferrari and other glories of full-throttle capitalism. On Prada, Gucci, Jil Sander, and Alberta Ferretti. Just two days after Salvatore Ferragamo announced the appointment of its women’s wear designer, Paul Andrew, to the post of creative director for the entire brand, Andrew and the brand’s men’s wear designer, Guillaume Meilland, presented a brilliantly hued fall collection inside Milan’s lovely if haunting Rotonda della Besana, an 18th-century former cemetery complex. In springy hues, the men’s and women’s clothes — including boxy, workwear-inspired shirts and jackets, paper bag trousers, a pair of flowing caftans — exuded a pared-down ease. The eyeshadow was blue. Marni turned erotic this season: Women, plus a smattering of men, wore eccentric layers of staid checked wools and racy red leather and silk, with chain necklaces dangling down to the knees above stovepipe boots. Versace may have been designing for the next powerhouse diva with the collection, which featured padded shoulders and puff sleeves, bustiers and dresses that revealed vast swathes of skin. The disco was high energy. In short, Versace was daring anyone to expect anything less than legendary from her. Along a catwalk lit by the hazy glow of Edison bulbs, Miuccia Prada sent out an ode to romance amid danger this season. Afterward, Silvia Fendi bowed alone, beneath the words “Love, Karl.”. After Risso’s men’s wear show, which was held under a netted sea of discarded plastic, the show — with its sustainable, organic, recycled, and recouped fabrics and Amazonian references — presented women as “tree-huggers,” the designer said. Along the water’s edge of the Bagni Misteriosi, a sprawling 1937 pool that has been recently restored, the Missoni creative director Angela Missoni sent models down the runway holding scarf-wrapped baskets of garden flowers, a springy symbol of ’60s insouciance immortalized by Jane Birkin and Serge Gainsbourg and revisited for this collection. In the sunny portico of a medieval-era hospital, the creative director Paul Andrew showed a collection for Ferragamo that was both leisure-friendly and luxurious. The Best of Milan Fashion Week, in Pictures, Valerio Mezzanotti for The New York Times. The hair was enormous. Despite the kinky-color message, the collection was still Marni — and still quirky and cerebral to the extreme. Prada, in her own satin military bomber and stilettos backstage, bemoaned the reigning political atmosphere of fear, but offered, with a smile, the hope that “romance wins.”, For the brief spell of a runway show, Karl Lagerfeld was with us again today, two days after his death. And yet Lagerfeld’s same elegant sense of silhouette prevailed, with cropped jackets, robe coats and voluminous shorts floating delicately down the runway. See our favorite moments, as captured by T’s photographers. Milan Design Week 2019 ruled luxury calendars last week, with brands from Dior to Fendi, Hermes and Louis Vuitton, all present. It was a tense coupling, mirrored in the soundtrack that floated freely from fairytale tunes to death metal. Lo proved can still bring a crowd to its feet. She championed clothing designed to outlast the cycle of seasons. Models emerged through a carved gilt frame, and one even wore a wide, boxy dress version, its edges embroidered to three dimensions with gold thread and filled with a canvas of a Cubist nude that covered the model’s body. Dresses gleamed with head-to-toe sequins, crystals and even LED lights. Best of Milan Design Week 2019: Fashion x Luxury Spotlights — The Ink Collective. This season, according to Donatella Versace, “imperfection is the new perfection,” and frayed hemlines, T-shirts (emblazoned with the designer’s own face, circa 1995) and reverse layering (think camisoles and bustiers worn over shirt dresses) graced her runway. The Fashion Month marathon completed its penultimate round of shows in Milan before moving to Paris. Those disguises mixed arch tailoring, copious fake fur, sparkling lamé, kneepads and a hodgepodge of vintage references (Victoriana, flappers and the space-age ’60s) in a mash-up that continued Michele’s freewheeling, free-associating approach to style. All the highlights from the spring 2020 shows. See our favorite moments, as captured by T’s photographers. Against a backdrop of flashing LED lights, Alessandro Michele presented his fall 2019 Gucci collection: a carnival of looks mixed with a succession of spiky masks — a metaphor, according to Michele, for the disguises we adopt through clothes. Jeremy Scott’s inspirations are often delightfully lowbrow, but his Moschino show this season was a jaunt into the lofty world of art. The house’s high-craft leatherwork, especially of the padded and woven variety, was still at center-stage, but the collection marked an undeniable step into the future with laser-precise jackets, contemporary knits and Bottega’s signature intrecciato leather reimagined in dramatic, oversized proportions. The brand’s creative direction now falls entirely to Silvia Fendi, who already headed the men’s wear and accessories lines. Jennifer Lopez stalked the Versace runway in what could only be described as a power move for two: for the star herself, whose incandescent magnificence and hip-banging walk made even high-profile models seem prosaic, and for Donatella Versace, the designer of the belly-revealing, curve-loving jungle dress from 2000 that J. With brands like Versace, Giorgio Armani, and Gucci showing in the Italian capital, the super-stylish editors, influencers, and celebrities came out in full force.. Still, this was Versace, and there was no shortage of bondage straps, safety pins and — in the midst of all the grunge inspirations — flashes of the house’s signature luxury.
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